Xavi brings his X-Tour to the Fillmore on Sunday night, leaning into the corridos tumbados and sierreño-pop that pushed him from viral sensation to chart regular. The Phoenix-raised singer threads earnest storytelling through nylon-string guitar lines and sleek, low-end bounce, with hits like La Víctima and La Diabla turning singalongs into full-room choruses. He tours with a tight band and crisp arrangements that keep the pulse steady while leaving space for his grainy, romantic vocal. Doors at 7, show at 8.

Fillmore Auditorium is Denver's big chandeliered ballroom on East Colfax, a sprawling GA floor with a wraparound balcony and bars flanking the room. The sound has the headroom to handle bass-heavy pop and full bands, and sightlines are solid if you float a bit off center. Lines move quicker than they used to, coat check is efficient, and Colfax pre- and post-show options make it an easy anchor for a Sunday night.

Febuary brings their hook-smart rock to the Marquis on Sunday, trading in ringing guitars, dynamic builds, and the kind of earnest choruses that nod to 2000s emo without getting stuck there. They write tight, melodic songs that open up live, with vocals that cut clean over a punchy rhythm section and just enough grit on the edges. It is an all-ages bill, and an 8 pm start keeps the set focused and fast in a room that rewards energy.

Marquis Theater is LoDo's scrappy 300-cap club, a low stage, loud PA, and a pit that can flip from singalong to circle in a chorus. It is the city's pipeline for pop-punk, hardcore, and guitar-forward indie, with quick changeovers and a staff that knows how to keep nights moving. Grab a slice next door before doors, then stake a spot just left of the soundboard for the clearest mix.

Adele Givens hits Denver Improv on Sunday at 6 pm, bringing the confident, cut-to-the-chase style that carried her from Def Comedy Jam and Comic View to The Queens of Comedy. Her delivery is sharp and musical, the jokes landing with that Chicago-honed timing and a conversational bite that plays perfectly in a club. She works the room with authority, toggling between big-life bits and quick, surgical tags that stack laughs without wasting a word.

Denver Improv sits at The Shops at Northfield, a classic showroom with cabaret tables, clear sightlines, and a PA tuned for stand-up. The staff keeps service quiet and efficient, and the room's layout makes crowd work easy without losing the back of the house. Parking is painless and the early showtime suits a tidy night out. Expect a two-item minimum and a crowd that actually listens.

Salsa and Bachata Sundays at La Rumba pull together Denver's Latin dance community for classes at 7 and 8 pm, then a full-on social with DJ Noslen riding classic salsa, modern timba, and smooth bachata selections. Instructors keep the lessons welcoming without skimping on technique, so newcomers and veterans both get something useful before the floor opens. Once the lights drop, it is all cadence and connection until close.

La Rumba is the city's stalwart Latin dance club in the Golden Triangle, a polished wood floor, mirrored walls, and lighting that flatters spins and shines. The room runs on good etiquette and quick bar service, and the staff handles class-to-social transitions cleanly. Expect a friendly mix of regulars and first-timers, strong sound, and enough floor space to breathe even when it is packed.

Cheers loads up a Saturday tribute bill built for singalongs, with Red Hot Chili Peppers funk-rock workouts and Paramore's pop-punk catharsis trading sets. Local players lean into the details, from slinky, Flea-style bass runs to Hayley-worthy hooks, and the format keeps the energy high with quick flips between eras. It is a no-frills, full-chorus night made for friends, tall cans, and loud memories.

@ Cheers in Northglenn is a classic suburban rock bar with a legit stage, a surprisingly muscular PA, and plenty of free parking. The room hosts tribute marathons, cover bands, and local showcases, and the crowd shows up to sing. Pool tables and a long bar break up the space, so it never feels cramped, and staff keeps the turnover smooth between bands.